Passage Rewrite - Eleanor Wagner


Pages 94-98 (Paragraph 1) of Chapter 10, taken from Their Eyes Were Watching God, rewritten in the perspective of Tea Cake.




            One evenin’, Ah waltzed right intuh Mis’ Stark’s store tuh buy me some smokin’ tobacco. Standin’ in de store behind one uh dem long countahs, leanin’ ovah it an markin’ up some paper was a woman Ah ain’t nevah seed de likes of. Ah knew ‘twas Mis’ Starks, but Ah hadn’t prepared mahself fo’ what Ah saw that night. She had de longest hair Ah’d evah seed an’ ‘twas all done up in a braid, nice ‘n relaxed, just hangin’ down her back like a rope uh black silk thread. She had sech pretty skin an’ a face jes’ like a rose, had Ah not been a grown man an’ she a widow, Ah would uh yelped, “Hawt diggity dawg!” right dere in de store. Ah couldn’t take mah eyes off uh her. Didn’t take long befo’ Ah knew deep down in mah soul dat howevah long it took, dis was de woman Ah wanted. Ah was goin’ tuh do whatevah it took to make her mah baby chile’ fo’ de rest uh mah life. Knew ‘twould be a struggle, but dat wasn’t goin’ tuh stop me. Ah done seen what Ah want, an’ Ah ain’t givin up ‘til Ah done got it in mah own hands. She was de queen uh de world. So, Ah decided tuh start de battle fo’ her heart right den an’ dere.

           So Ah says “Good evenin’” whilst grinnin’ mah head off, an’ lookin’ at her hair. She has a look about her dat tells me we is goin’ tuh get along jes’ fine. Dat was de beginnin’. She comes back wid a “Evenin’!” fo’ me in dat pretty voice uh hers, an’ reminds me dat she don’t know mah name, tho’ she knows she’s seed me ‘round somewhere. She was mattah uh fact an’ feminine at de same time. Yeah, dis was mah kind of woman. Not afraid tuh open her mouf but ‘spectful an’ sweet as sugar.

          Ah try tuh hint dat it ain’t too hard tuh pick her outta de masses uh vulgar humanity. Tuh dis, she makes some talk ‘bout people recognizin’ her cause all she done fo’ de past twenty yeahs is keep de store up and runnin’. Jumpin’ Jehoshaphat! She done gone an’ mistook mah meanin’. Didn’t even bite mah hook. Ah got tuh trah lil bit harder next chance Ah get tuh throw one like dat at her. Jus make it a lil bit mo’ obvious. Push de limits but don’t start de train rollin’ outa control jes’ yet; dat might scare her away. Best get tuh mah business.

           Ah asks her fo’ some tobacco. She asks me what kind, so Ah tells her. Ah drops de money in her hand an’ her soft lil fingers closes ‘round it, not even lookin’ tuh count it ‘til she’s got mah tobacco in mah hands. Ah decide Ah’s goin’ to make de most uh dis opportunity even tho’ she jes’ gone an missed dat pretty piece uh flattery Ah prepared special fo’ her. If Ah stay an’ smoke mah tobacco right in de store, Ah can talk tuh her longer, so dat’s what Ah do.

          Ah smile an’ ask her fo’ some fire tuh light up wid. Fo’ de fust time she laughs. A true laugh. Ah ain’t givin’ up. Yeah, we’s friends. No doubt ‘bout dat. Ah laugh along wid her as she hands me de fire. Ah ain’t goin’ tuh leave. We jes’ got started. She asks me whah Ah’m not at de game wid all de others, so Ah tells her de story of de lil mixup dat brought me tuh her store.

          When she finds out Ah don’t have no ride back tuh Orlandah an’ asks me what Ah’s gon tuh do, Ah tell her Ah’s gon tuh play uh game uh checkers wid her. She don’t even know how tuh play, de beauty. So Ah makes up mah mind tuh teach her. She’s a quick one. Dis girl ain’t no slouch. She got her some mean brains, an’ Ah is takin’ de gamble dat Ah can win ‘em ovah wid mah charm.

          When Ah go tuh take her king, she grabs mah wrist wid her slip uh a hand an’ trahs tuh stop me. We get in a bit o’ a hassle an’ I play along wid it, but Ah don’t want tuh hurt de fairy, so Ah jus’ tease a bit. De whole board gets knocked offa de barrel an’ goes slidin’ across de waxed floor. De pieces end up everywheh: in a bag uh flouah, in a crack in de floor, some in de cracker box, an’ some roll out de doh.

           Afta’ pickin’ up de pieces wid a good laugh, we settle down tuh a soda. Man a’livin! Soda done nevah tasted so good in mah life! Mah taste buds done woke up. Mah pretty Mis’ Starks begins tuh worry ‘bout me gettin’ home an’ Ah jes’ tells her Ah’s goin’ tuh walk. Somethin’ from anothuh planet turns loose in me an’ Ah start playin’ de fool: shufflin’ ‘cros de floor, pigeon walkin’ through de store, an throwin’ mah hat at de queen uh mah heart. She lobs de hat back at me an’ giggles a giggle dat a man could survive on fo’ months if only he could hear it once a week. Her bein’ fills de room to the rafters, seeps intuh mah soul, heals up de hurt places, an’ gives me somethin’ Ah done nevah had befo’. Ah think it’s called love.

           

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Symbol Evaluation - By Michaela Roskowiak

 A New Realm of Meaning



         

         When readers open a novel, they tend to race through it, appreciating the plot, yet entirely missing the details that the author so meticulously labored over. Symbols, which are people, objects, or events that suggest more than their literal meaning, often go unappreciated by ignorant readers. Readers tend to be more consumed in the plot of the novel, than what is being said in the fine print of symbolism. Zora Neale Hurston is undoubtedly a master of symbolism and displays her skills in her novel, Their Eyes Were Watching God. Throughout her book she uses symbols such as Janie’s hair, her head rags, the mule, the sun, and the hurricane, to illuminate different character’s struggles, traits, and circumstances. 
      Janie’s hair is an immediate focal point in the first chapter of the book. It is the envy of other women and the magnet of all men. Before her grandmother chose a different life for her to lead, Janie had let her perfect black hair flow free. Janie’s hair therefore becomes a symbol of her independence and individuality. Because of how her hair continually causes men to lust after her, it is also a symbol of her sexuality. I consider this symbol of her individuality to be incredibly strong, especially when we see her return to the town as a much older woman, with her hair flowing freely down her back. This action greatly strengthens the symbol, because of the fact that it was socially unacceptable for older women to wear their hair down. Henceforth, Janie’s choice to wear her hair down in her old age symbolizes her independence and individuality.
       However, upon marrying Joe, Janie is forced to keep her hair tied up in hair rags. Her overbearing and strict husband is enraged by the male attention Janie’s hair receives, and rather than trusting her, he forces her to hide it from the world. Her hair rags therefore become a apparent and strong symbol of Joe’s jealously and possessiveness.
       Matt Bonner’s mistreated mule becomes a symbol, though slightly less obvious, of the way Janie is treated by Joe. She sympathizes with the mule because of the way it has been starved and mistreated. This symbolizes how Janie has been starved of Joe’s attention and mistreated by his harsh words and physical beatings. Janie finds herself relating to the mule and feeling deep compassion for it, which therefore makes the mule a symbol of her hardships with Joe.
      The sun is a vivid and frequently used symbol for Tea Cake. Using beautiful imagery, the author compares Tea Cake to the sun, and often refers to Tea Cake as the sun in her use of metaphors. Along with Janie’s hair, the sun is undoubtedly one of the strongest uses of symbolism found in the book. I believe that the author chose the sun to symbolize Tea Cake because he is the light of Janie’s life. Before he entered her life, she had been groping in the darkness, searching for love in the worst places. Tea Cake shines light over her life and allows her to finally see the beauty in her world. She finds peace and happiness with Tea Cake, because he truly is the “sun” in her life.
      Lastly, the devastating hurricane that strikes near the end of the novel is used as a symbol of abrupt change in Janie’s life. Although this symbol is found in only one part of the book, rather than being repeated throughout, it is still relatively strong. Before the hurricane, Janie’s life with Tea Cake had basically been bliss, but afterword, her hardships seem to pile up. She and her husband are without a home; Tea Cakes is forced to bury the people who died in the hurricane, and shortly after is diagnosed with rabies and becomes crazed. Altogether, Janie’s ideal life has undergone abrupt and incredible change, which is symbolized by the hurricane.
      Altogether, Zora Neale Hurston shows incredible skill in her use of symbolism throughout her famous novel, Their Eyes Were Watching God. Through her symbols of Janie’s hair, head rags, the mule, the sun, and the hurricane, we discover different traits and struggles of characters in the novel. When reading this book, individuals would do well to see past the plot, and get in touch with the fine print of symbolism, unveiling a new realm of meaning.